MAIN EXHIBITION

MAIN EXHIBITIONS 1975-2015

Main Exhibitions 1975-2015
The Sun and The Fishes

The Sun and The Fishes

À La Carte

À La Carte

À LA CARTE- 2015

“À la Carte” - Urban Intervention - objects - assemblages (unpublished work)
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Multiplication

Multiplication

MULTIPLICATION: the life's poetics - 2011

“Multiplication - the life’s poetics” - SESC Paço da Liberdade. Curitiba/Brazil.
Installation/drawing/painting. Coordination: Celise Helena Niero
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Correspondences

Correspondences

CORRESPONDENCES - 2008

Instalação com cinco mil envelopes realizada no MON - Museu Oscar Niemeyer em Curitiba-2007. trechos do catálogo:

Há sabidamente uma linguagem dos selos, que está para a

linguagem das flores como o alfabeto Morse está para o escrito.

Mas por quanto tempo viverá ainda a floração entre postes telegráficos?

Não são os grandes selos artísticos do pós-guerra, com suas cores plenas,

Já as sécias e dálias outonais dessa flora?[...]
                                                        Walter Benjamin

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The State Of The Art

The State Of The Art

THE STATE OF ART - 2010

“The State of the Art - Four decades of Contemporary Art” - Collective
Curators: Artur Freitas, Maria José Justino. Oscar Niemeyer Museum.
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Caboclos and Caiçaras

Caboclos and Caiçaras

CABOCLO AND CAIÇARAS - Popular Sayings of Paraná Coast - 2005

“Caboclos and Caiçaras - Popular Sayings of Paraná Coast” - Graphism. Paraná Public Library. Curators: Sônia Gutierrez e Maria da Graça Simões.
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Artist's Book

Artist's Book

ARTIST'S BOOK - the life as labyrinth - 2001

“Artist’s Book” - The life as labyrinth” - installation: drawing/engraving/collage
Music and Fine Arts School of Paraná. Catalogue text: several authors
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Verse & Reverse

Verse & Reverse

VERSE & REVERSE - 1998

“Verse & Reverse” - industrial wood/mobiles - Critical text: Andréa C. de Miranda;
Caixa Econômica Federal Gallery
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Drawings

Drawings

DRAWINGS - 1973

“...From this new Fine Arts generation, Sônia is the most worried to show the resources of the pure line on the white paper, simply, without tricks. It’s a good thing in these times that new materials could drive us the mistake to be content only for the gratuity of own exposed material.

In Art, is intended a minimum of resources, a maximum of expression. Sônia Gutierrez already demonstrated to have a strong line and a whole inner world to be shown.

The rest is maturity, that will be, maybe, through another expressive ways.

For this she is young. For this she doesn’t believe that Art is whole ready.

José Osório Brzezinski - visual artist, EMBAP teacher
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Bamboos

Bamboos

BAMBOOS PAINTING - 1981

Bamboos painting - with haiku poets - Drawing- human figure - retrospective
Banestado Gallery – Curitiba/Brazil
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Stones

Stones

STONES - 1993

“Stones” painting - text - Ghignone Cultural Space. Curitiba/Brasil

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Persona

Persona

PERSONA - 1987-89

“Persona” interactive installation, objects, drawings, video and photography. Culture Foundation of Curitiba and 1989 - Baron Manor House.
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Land

Land

LAND - 1981

Solo “Land” - Drawings and Installation

- Culture Foundation of Curitiba Headquarter 3/09/1981

Gazeta do Povo - Visual Arts - Adalize Araújo

“The artist serves herself from graphism like main vehicle of expression.”

“Sônia Gutierrez is a contemporary artist who makes visual poetry. An innate researcher,illustrator , objetualist and an installation performer - this artist endowed with an unique social consciousness, [...] uses iconographic elements and symbols that create dialogue to a poetics of freedom whom she is a spokesperson in Paraná [...] Her works turn into not only on alive manifestos about her life philosophy, but also they register the experimental personality that is own. Her trajectory, among the most reputable in Paranaense Contemporary Art, develops from figuration to abstraction, to research of materials and processes of creation. “
Adalice Araújo (in memorian) Art Critic affiliates at Associação Brasileira de Críticos de Arte- ABCA e Associação Internacional de Críticos de Arte- AICA.
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